Analysing the opening sequence of Bourne Identity
Bourne Identity (2002)
The
extract begins with a straight cut edit from black to a storm. The
flashes within the storm along with the diegetic thunder sounds create a
shocking effect and allow the audience to know that something thrilling
is happening and perhaps something dangerous has occurred.
A
long shot of a boat in the distance is shown however, the low key
lighting makes this difficult to see which creates an ominous effect.
A
straight cut edit is then used to show a group of fisherman whilst
mysterious string and trumpet music beings to play. The camera is
handheld so the shot appears to be "rocking" indicating that they are on
the boat. The lighting in the boat is very bright compared to the
gloomy darkness outside, this contrast in light adds to the mystery. In
the shot the diegetic dialogue of the men indicates that they are
foreign speakers which could add to the curiosity of an english speaking
audience .
The
next shot shows a body in the sea using a low angle under water shot.
The image is dark which adds to the mysterious atmosphere. The shot will
also have audiences questioning why there is a body in the water and
how it has got there.
A
long shot then shows one of the men leaving the highly lit area of
inside the boat and entering the storm. A mid shot then displays the
confused and worried expression on the sailors face. This creates
tension for the audience and adds to the already present suspense. This
shot is shortly followed by a point of view shot which is used to show
what the sailor sees. The suspense for the audience lowers slightly as
they can see that he has discovered the body however, the tension
remains high as they are still unsure of what is happening and what will
happen next.
There
is then another flash of lighting and the screen turns black. The
music, that has been playing quietly in the background, becomes louder
and quicker as the title appears.
The
shot then cuts to the sailors on the boat pulling the body out of the
water and taking him into the boat where they lay him out onto a table.
The transition from the outside to the inside is important to the
sequence because the outside is displayed as dark, cold and open
compared to the inside which is brightly lit and cramped reflecting
warmth and safety. The non-diegetic music is still fast paced and the
diegetic dialogue of the men is also louder and quicker. This creates a
panic within the scene which is reflected by the hand held camera making
the shots unsteady. The music then begins to fade out as the initial
panic of trying to rescue the man has settled down. However, the mystery
continues as the audience still have questions about who the man is.






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